{"id":545,"date":"2010-01-01T01:11:00","date_gmt":"2010-01-01T01:11:00","guid":{"rendered":"http:\/\/localhost:8888\/cite\/2016\/02\/09\/editorial-preparing-teachers-to-use-digital-video-in-the-science-classroom\/"},"modified":"2016-06-04T01:55:40","modified_gmt":"2016-06-04T01:55:40","slug":"editorial-preparing-teachers-to-use-digital-video-in-the-science-classroom","status":"publish","type":"post","link":"https:\/\/citejournal.org\/volume-10\/issue-1-10\/science\/editorial-preparing-teachers-to-use-digital-video-in-the-science-classroom","title":{"rendered":"Editorial: Preparing Teachers to Use Digital Video in the Science Classroom"},"content":{"rendered":"

 <\/p>\n

This special issue of Contemporary Issues in Technology and Teacher Education<\/em> is devoted to digital video use in the classroom.\u00a0 The topic was chosen as a result of discussions that were held by special interest groups at annual meetings of the Society for Information Technology and Teacher Education and at meetings of the National Technology Leadership Coalition in 2007 and 2008.\u00a0 As discussions progressed, it became evident that digital video was being used in a variety of ways across content areas in respective teacher education courses and that its use in K-12 classrooms needed to be more rigorously examined.<\/p>\n

Moving images have served as tools for science teaching since the early 1900s.\u00a0 Although movie storage and method of presentation have evolved from film to videotape to laserdisc to DVD to online digital video, the underlying event is still the same:\u00a0 a sequence of images and sound that tells a story.\u00a0 These stories are useful to science teaching and learning in many ways, including in instruction, exploration, and assessment.<\/p>\n

Instruction<\/strong><\/p>\n

The main use of moving images in the first half of the 20th century was the self-contained instructional film.\u00a0 Once the film was turned on, the film\u2019s production team controlled the flow of instruction.\u00a0 Teachers would try to make the event more interactive by providing outlines to complete, but one of the most important capabilities of the experienced teacher was minimized:\u00a0 the ability to respond immediately to the questions and ideas of the students.<\/p>\n

The quality of self-contained instructional film improved as commercial motion picture studios moved into the education market.\u00a0 For example, Hemo the Magnificent,<\/em> directed by Oscar winner Frank Capra, was a high quality motion picture featuring live action and animation.\u00a0 Today, selections from other high-quality documentary films can be used for science instruction, as well, such as March of the Penguins<\/em> (2005).<\/p>\n

In the early days of film use, the schools either had to purchase or rent educational films.\u00a0 Today, most self-contained instructional films are found on cable or broadcast televisions.\u00a0 Networks such as PBS, The Discovery Channel, The History Channel, and National Geographic produce programs that focus on nature, earth\/environmental science, and technology.\u00a0 Programs in the physical sciences are more limited.\u00a0 Classic self-contained instructional television programs that have an exploratory nature can be found on the Internet.\u00a0 Examples include Julius Sumner Miller’s Demonstrations in Physics<\/em> (1969; see Video 1), and Don Herbert’s Mr. Wizards World<\/em> (1983; see Video 2).<\/p>\n

Video 1.<\/strong> Julius Sumner Miller’s Demonstrations in Physics<\/em> (http:\/\/www.schoolwax.tv\/physics-julius-sumner-miller-archimedes-part-1<\/a>)<\/p>\n

 <\/p>\n

Video 2.<\/strong> Mr. Wizard’s World<\/em> clip ( http:\/\/www.youtube.com\/watch?v=2sIAVV5HKjc&NR=1)<\/a><\/p>\n

Exploration<\/strong><\/p>\n

As early as 1924 Frank Freeman, an advocate and researcher of using film in education, saw the advantage of having motion picture film in small units. He suggested that film “should be so designed as to furnish to the teacher otherwise inaccessible raw material of instruction, but should leave the organization of the complete teaching unity largely to the teacher” (p. 79).\u00a0 His advice generally went unheeded until the 1960s, with the advent of the single concept film loop.\u00a0In 1971 Franklin Miller, Jr., listed 14 reasons for using short films that promote science explorations.<\/p>\n

Watching digital video can capture students\u2019 attention and engage them in the topic being introduced (Park, in press). If the digital video is carefully crafted, it can also be used to help students explore concepts and gain understanding through explanations within the video. Viewers can compare what happens as variables are changed in sequenced scenes, or they may be challenged by questions in overlaid titles or voice-overs.<\/p>\n

Other videos can be used to elaborate or to apply concepts discussed in class to new situations. For example, after doing activities related to average velocity, a video could be viewed that shows the velocity of a car traveling at 55 mph as viewed from a car next to it traveling at the same velocity. A sequence of these types of shots would introduce the students to the concepts of relative velocity and frame of reference.<\/p>\n

Computing technologies combined with digital video allow students to conduct analyses that once were limited to scientists. Motion and time measurements can be made using video of events. Video of a specific event can be synchronized with related data. Students can take measurements and make inferences from popular Hollywood movies to see if the scenes are probable or even possible. Stop-motion animations can assist students in understanding scientific processes or mechanisms.<\/p>\n

Assessment<\/strong><\/p>\n

In the featured science education article in this special issue, Dickinson and Summers<\/a> describe their use of \u201c(re)anchored\u201d videos intended to blend with other resources to establish a rich, believable problem-solving environment.\u00a0 The resulting environments were used to assess pupil success in using data to solve authentic problems.<\/p>\n

Other manuscripts have encouraged prospective science teachers to create videos displaying their knowledge of a specific concept (e.g., Hoban, McDonald, & Ferry, 2009; Yerrick, Ross, & Molebash, 2005).\u00a0 Based on the results of the videos, teacher educators can measure preservice student understanding of the science concepts.<\/p>\n

Some science education professors use vignettes of science teachers in action to assess various aspects of their teaching, questioning, and laboratory management (see, e.g., the InTime website, http:\/\/www.intime.uni.edu<\/a>; also Krueger, Boboc, Smaldino, Cornish, & Callahan, 2004). Other uses include the videotaping of student teachers for assessment and improvement or videotaping of teachers used as evidence of high quality teaching for National Board certification.<\/p>\n

Implications for Science Teacher Education<\/strong><\/p>\n

In his 1934 text, Science Teaching at Junior and Senior High School Levels<\/em>, Hunter devoted about 15 pages to self-contained instructional film.\u00a0 Heiss, Obourn, and Hoffman (1950) dedicated eight pages to motion picture use, but also included a page on the use of film cameras.\u00a0 Brandwein, Watson, and Blackwood (1958) included four pages on instructional film, and stated that one fifth of classroom time in physics should be devoted to using film.\u00a0 Most modern science education methods texts, however, include only a cursory mention of video.<\/p>\n

Clearly, science teacher educators should be preparing teachers to incorporate digital video in science learning.\u00a0 An increasing amount of science digital video is easily available on the Internet.\u00a0 Software for editing digital video has become simpler to use.\u00a0 Hardware to capture digital video is affordable and easily obtained.<\/p>\n

Capturing, editing, and posting digital video content that can be used by any science teacher is easier than ever.\u00a0 Merely having access to digital video does not mean it will make a difference in student exploration and learning, however.\u00a0 We cannot forget the “P” in TPaCK (technology, pedagogy<\/em>, and content knowledge).\u00a0 Having access to technology tools and products is the beginning of pedagogy.\u00a0 Knowing how to enable students to build knowledge using the tools is of prime importance.<\/p>\n

When I attend professional conferences and present some of the digital movies that I have created for science lessons, many of the conference attendees are unimpressed\u2014until I move into instructional mode and begin to teach using the digital movies.\u00a0 The movies in themselves do not provide much venue for exploration and learning, but the way science teachers use the movies can promote an inquiry environment where student ideas are generated and tested.\u00a0 Pedagogy is the key to effective use of digital video.<\/p>\n

Therefore, time should be devoted to the preparation and use of digital video in science methods classes.\u00a0 Areas of practice should include<\/p>\n