{"id":11393,"date":"2022-01-26T16:01:10","date_gmt":"2022-01-26T16:01:10","guid":{"rendered":"https:\/\/citejournal.org\/\/\/"},"modified":"2022-05-24T18:52:07","modified_gmt":"2022-05-24T18:52:07","slug":"fostering-culturally-sustaining-practice-and-universal-design-for-learning-digital-lesson-annotation-and-critical-book-clubs-in-literacy-teacher-education","status":"publish","type":"post","link":"https:\/\/citejournal.org\/volume-22\/issue-1-22\/english-language-arts\/fostering-culturally-sustaining-practice-and-universal-design-for-learning-digital-lesson-annotation-and-critical-book-clubs-in-literacy-teacher-education","title":{"rendered":"Fostering Culturally Sustaining Practice and Universal Design for Learning: Digital Lesson Annotation and Critical Book Clubs in Literacy Teacher Education"},"content":{"rendered":"\n
With the move to online instruction necessitated by COVID-19, teacher educators have grappled with adapting methods courses \u2013 which, by their nature, focus on practices situated in classrooms<\/em> \u2013 to an online environment. Supporting novice educators in developing culturally sustaining and universally designed literacy practices, which are also socially situated and contextual, can seem impossible without access to classrooms. Teachers need to know their students, bend curriculum toward them (Minor, 2018), and critically reflect. While some opportunities are lost without access to physical classrooms, leveraging asynchronous and small-group synchronous learning opportunities allows for new possibilities.<\/p>\n\n\n\n In an online learning environment, synchronous activities, defined as live-streaming audio or video with instantaneous feedback, typically are conducted with a whole class at the same time. However, since synchronous whole-group instruction can produce screen-time fatigue, being able to teach in this format is often significantly limited or absent entirely. Asynchronous activities (which we define as independent activities students complete individually when a faculty member is not present) and small group synchronous activities, (which require small groups of two to six students to meet at a time and for a duration of their choosing without the faculty member) offer unique affordances.<\/p>\n\n\n\n Using asynchronous structures opens up possibilities for students to work at different paces from one another, to take the time that they need to complete a task, allow for deeper content engagement, and to reduce the pressure to conform to or compete with other learners (Watts, 2016). Another affordance of asynchronous structures is that, when crafted using teaching videos, they can help students to strengthen theory-practice connection and help them transfer their learning from teacher preparation into classroom practice.<\/p>\n\n\n\n Research has found that too often novice educators \u201crevert to intuitive theories of teaching and learning that correspond with their own experiences in school rather than with the research-based knowledge from their teacher education program\u201d (Blomberg et al., 2013, p. 91). Using teaching videos can support newer teachers in learning new practices in a way that feels manageable and gives a window into a classroom without the pressure of having to react in real time.<\/p>\n\n\n\n While asynchronous learning can have these significant benefits in reconceptualizing time, it can also result in drawbacks. Specifically, it can result in the loss of a sense of community (Brown et al., 2016; Watts, 2016), which is essential for the potentially challenging or sensitive conversations about race and ability (Ahmed, 2018; Singleton, 2005). Further, courses that focus on developing professional practices, such as teacher content method courses, require additional consideration for instructional design. These courses, which are sometimes referred to as \u201chigh-touch\u201d (Johnson et al., 2019), need to be interactive, allowing students opportunities to practice performance and receive feedback, rather than exhibit understanding of content through more traditional asynchronous methods, such as discussion boards and quizzes.<\/p>\n\n\n\n The study reported in this article sought to determine how teacher education graduate students developed literacy teaching practices informed by culturally sustaining pedagogy (CSP) and universal design for learning (UDL) in an online learning environment. We explored the affordances of asynchronous structures such as digital annotation and video-recorded small groups in a literacy methods course. We investigated how these activities may have been leveraged to support novice educators in developing teacher noticing and critically reflective practices that informed culturally sustaining and inclusive approaches to teaching. While these asynchronous activities were necessitated by the global pandemic, we also sought to understand if any of these practices should be maintained and why.<\/p>\n\n\n\n The research questions for this study were as follows:<\/p>\n\n\n\n Benefits were found both for students and the instructor in engaging in asynchronous digital lesson annotations and small group synchronous books clubs. For students, these online learning tasks provided opportunities to develop a transferable process for critically reflecting on literacy teaching methods from both a teacher and learner perspective. Being able to access all students\u2019 in-process thinking allowed the instructor to more carefully track student learning and adjust instruction to meet student needs.<\/p>\n\n\n\n In the following section, we situate our understanding of literacy within a sociocultural framework to describe both how the literacy methods course framed literacy instruction and how we made sense of the literacies of the novice educators who took part in the study. Then we describe culturally sustaining pedagogy (Paris, 2012; Paris & Alim, 2014) and universal design for learning (Nelson, 2013; Rapp, 2015) as pedagogical approaches that align with a sociocultural approach to literacy.<\/p>\n\n\n\n Next, we describe our conceptual framework by outlining the Presence + Experience (P+E) Framework for Online Course Design (Dunlap et al., 2016), which supports the development of interactive experiential learning activities designed to incorporate high touch learning experiences into high tech teacher education methods courses (Johnson et al., 2019). In the subsequent section, we describe our methodology for data collection and analysis. After that, we present our findings regarding social presence, teaching presence, and cognitive presence in the course, highlighting how the P+E Framework clarified both opportunities and challenges for students developing literacy practices associated with CSP and UDL in the course. Finally, we a discuss implications for literacy teacher education.<\/p>\n\n\n\n This study was grounded in a sociocultural orientation to literacy, which is an overarching approach to understanding concepts of what it means to read and write. CSP and UDL are pedagogical tools that align with and support the practical implementation of a sociocultural understanding of literacy. These asset-based approaches informed the design and implementation of the course, the content taught within the course, the participants\u2019 work in the course, and the data analysis of this study<\/p>\n\n\n\n In a sociocultural approach, literacy is understood as grounded in the authentic ways that individuals read and write in their everyday lives. It positions literacy practices as varied and multiple (Meier, 2015). New literacies, a contemporary form of sociocultural literacy, depart from traditional notions of what literacy means, is, and can do. Specifically, print literacy is \u201conly one form of representation and meaning-making among many \u2013 one that has been, and continues to be, privileged above other forms in schooling\u201d (Perry, 2012, p. 59).<\/p>\n\n\n\n Using new technologies and new social practices, such as holding meetings over video conferencing platforms like Zoom, using a parallel chat function while in a video chat, creating digital annotations, and navigating learning management systems (LMS) such as Canvas, illustrate the changing social practices that require new and significantly diverse and varied literacy skills of online teaching and learning. In using a new literacies orientation to teaching the content of a literacy methods course, modeling this orientation through our own teaching practices becomes essential, including how students engage with one another, with faculty, and with content.<\/p>\n\n\n\n CSP is a framework that seeks to \u201csustain linguistic, literate, and cultural pluralism as part of the democratic project of schooling\u201d (Paris, 2012, p. 93) and builds on the work of culturally relevant pedagogy (CRP). Ladson-Billings (1995) defined CRP as \u201ca theoretical model that not only addresses student achievement but also helps students to accept and affirm their cultural identity while developing critical perspectives that challenge inequities that schools (and other institutions) perpetuate\u201d (p. 469). The model identifies three areas of focus for teachers: academic success (instead of behavior and classroom management), cultural competence (instead of cultural assimilation), and sociopolitical consciousness (rather than school-based tasks with no out-of-school application) (Ladson-Billings, 2014).<\/p>\n\n\n\n CSP maintains the tenets of CRP and extends them by calling for a focus on multiple identities and cultures, emphasizing hybridity, fluidity, and complexity. CSP requires a simultaneous commitment to \u201cembracing youth culture\u2019s counter hegemonic potential\u201d (Paris & Alim, 2014, p. 85) as well as supporting students in reflecting on their cultural practices to identify what is emancipatory and for whom and what is oppressive in those movements. CRP\/CSP shift, change, and recreate \u201cinstructional spaces to ensure that consistently marginalized students are repositioned into a place of normativity\u201d (Ladson-Billings, 2014, p. 76).<\/p>\n\n\n\n Similar to CSP, UDL is an approach to designing curriculum that purposefully addresses the needs of diverse learners from the outset. This approach contrasts with traditional literacy curriculum development, which considers \u201ctypical\u201d students first and then retrofits adaptations or differentiates for students of differing needs and goals (Rapp, 2015). Instead, both UDL and CSP forefront student diversity as a foundational pillar in curriculum design.<\/p>\n\n\n\n Based on nearly 30 years of neuroscience research, UDL is a framework developed to support teachers in attending to content, resources, and the learning environment. UDL is organized around three principles that support instructional design: engagement, representation, and action and expression(Center for Applied Special Technology [CAST], 2018). According to Hall et al., (2012), these UDL principles \u201cmap onto three groups of brain networks \u2014 recognition, strategic, and affective networks \u2014 that play a primary role in learning\u201d (p. 2). The first principle of a UDL, providing different methods of engagement<\/em>,aims to activate the affective network of the brain or the why of learning. The second principle of UDL, providing multiple means of representation<\/em>, is designed to activate the recognition network of the brain or the what of learning. The third principle of UDL, providing multiple means of action and expression<\/em>, aims to activate the strategic network of the brain or the how of learning. By attending to all three of these principles, barriers to learning are reduced and access to content is increased.<\/p>\n\n\n\n The P + E Framework (Figure 1) developed by Dunlap et al. (2016) is a socioculturally oriented tool for developing online courses that include \u201ca high-level of interpersonal connection, such as courses in education, counseling, [and] social work.\u201d Research has found that course designers who use this framework to design online learning environments are able to develop \u201chigh-touch\u201d content needed for methods courses in an online environment (Johnson et al., 2019) and to foster \u201csafe spaces in which [preservice teachers] can engage in teacher noticing and develop high leverage STEM teaching practices through rich, multidimensional experiences\u201d (Verma et al., 2015, p. 378).<\/p>\n\n\n\n Figure 1.<\/strong> P+E Framework<\/em>. <\/em><\/p>\n\n\n\nTheoretical Framework<\/h2>\n\n\n\n
Sociocultural Approaches to Literacy Learning<\/h3>\n\n\n\n
Culturally Sustaining Pedagogy<\/h3>\n\n\n\n
Universal Design for Learning <\/h3>\n\n\n\n
Conceptual Framework<\/h3>\n\n\n\n
Presence+Experience: A Framework in Online Courses<\/em><\/h3>\n\n\n\n